Lauren St John talks about KAT WOLFE

Science writer Isabel Thomas talks to the acclaimed Middle Grade author and founder of Authors4Oceans, Lauren St John, about her books.

Isabel: Congratulations on the publication of Kat Wolfe on Thin Ice, the third adventure in the Wolfe and Lamb mysteries series! What can readers expect if they are discovering the series for the first time? 

Lauren: Writing Kat Wolfe Investigates, the first book in the series, was one of the most enjoyable, fun experiences of my life. In the opening chapter, Kat Wolfe, the daughter of a busy city vet, encounters a burglar. What happens next changes their destiny. But after they move to the Jurassic Coast and Kat opens a pet-sitting agency, her very first client disappears under suspicious circumstances. Kat’s new best friend, American Harper Lamb, joins Kat in solving the case. They’re assisted by Tiny, Kat’s wild cat, and other unruly animal friends.

Isabel: What can fans expect from the third instalment?

Lauren: In Kat Wolfe on Thin Ice, a series of unfortunate events result in Kat and Harper finding themselves alone in a snowbound cabin in America’s Adirondack wilderness with a snowstorm moving in. When Kat realises that she might have been the last person to see a missing girl, presumed kidnapped, she and Harper get on the case, helped by a team of huskies and a naughty racoon.

Isabel: Each Wolfe and Lamb adventure deftly weaves in environmental and conservation issues. Was this tricky?

Lauren: Conservation and animals are so much a part of my daily life that I focus on the plot and adventure first and I think the nature parts of my book come sort of naturally. The only book where I’ve found getting the balance right hard was Kat Wolfe Takes the Case, where extinction and climate change are intertwined with the plot. I wanted the book to have lots of hope and humour in it too. Fortunately. Kat’s pet-sitting agency allowed me to put it a mischievous python and other funny animal characters. One of the things I love most about animals is how strongly individual and full of personality they are if you take the time to get to know them. I’ve known a lot of funny animals, including pythons, and have lots of memories to draw on.

Isabel: Tell us about Wave Riders, your new standalone novel, out on June 10th.

Lauren: Wave Riders is about twelve-year-old twins, Jess and Jude, who live a dream life sailing from one exotic destination to the next with their guardian, Gabriel Carter. But after Gabe vanishes and a storm smashes everything, they’re left orphaned and alone. When a wealthy, glamorous family offer them a home, everybody tells them they’re the luckiest children in the world. But the Blakeney’s stately mansion is full of secrets – secrets that seem entangled with the twins’ own fate. As they race to uncover the truth, Jess and Jude must confront their deepest fears. How do you solve a mystery when that mystery is you?

Isabel: As well as being part of the Climate Writers’ League, you launched Authors4Oceans to campaign against single-use plastic. Why do you think the words of authors in particular can have such a powerful impact on readers’ awareness of environmental issues? 

Lauren: I think that stories have the capacity to move and inspire children in a way that no amount of dry news articles or facts can do. I vividly remember the impact books such as Black Beauty, Paul Gallico’s The Snow Goose or Patricia Leitch’s For Love of a Horse or The Summer Riders, all of which have strong themes around compassion not just towards animals and the natural world, but also humans. To me, social justice and environmental justice go hand in hand. In my experience, people who are cruel to animals or chop down rare forests and use bee-killing pesticides are cruel to humans and vice versa.

What’s so powerful and wonderful about the writing of some of our Authors4Oceans members – I’m thinking of authors such as Gill Lewis, Piers Torday, Nicola Davies and, of course, Robert McFarlane and Jackie Morris, who created the magnificent Lost Wordsis that they tell moving, exciting stories that also change minds and hearts. I’ve tried to do the same with my White Giraffe series and through books like The Snow Angel. I’m hugely hopeful that young readers of today will grow up to make the world a better place.

Isabel: What sorts of feedback do you get from readers on the environmental, conservation and sustainability themes in your books? 

Lauren: The best thing about being a children’s author is receiving letters and emails from kids who have been inspired to save wildlife and/or the environment after reading my books. I’ve been a children’s writer just long enough that some of those kids are now adults and have gone on to become wildlife cameramen or volunteer on game reserves or study environmental science. It’s so utterly lovely and inspiring. Nothing makes me happier.

Isabel: I first fell in love with your writing in The One Dollar Horse. I loved the detail of a single-parent family lovingly cooking ambitious meals without most of the ingredients because they were unaffordable. It captured something I remember very fondly from my childhood – so much love despite tough circumstances.

Lauren: Oh, I’m so glad you enjoyed The One Dollar Horse! That series and The Glory, my standalone YA horse book, have a special place in my heart. I loved writing and researching them. Growing up on a farm in Zimbabwe, I used to dream of being an eventer, so writing those books was a joy because I sort of got to live out my dreams vicariously. The bond I had with my own horse, Morning Star, who was my best friend when I was a teenager, inspired The One Dollar Horse. I could totally relate to Casey Blue’s love for Storm, the horse she rescues. I could also relate to her struggles to realise her dreams against all the odds and with no money in an expensive and sometimes elitist sport.

As far as possible, I want the characters, places and adventures in my books to feel authentic, so I’ve always tried my best to travel to the places and have some of the experiences I write about. I went to the Bazaruto Archipelago in Mozambique to research Dolphin Song, rode a palomino mustang through the snowy mountains of Wyoming to research The Glory and took a five-day RYA (Royal Yachting Association) course to learn to sail in order to be able to write the technical bits in my new book, Wave Riders.

Isabel: When you’re building characters and their traits and habits, how much do you draw on people you know in real life? 

Lauren: Some of my villains have characteristics of baddies I hear about, read about or encountered when I was a journalist. Politicians, spies, spoilt celebrities or hapless burglars or whatever. I never consciously do it with the good people in my books, although in some cases I’ve probably drawn on the essence of people I’ve known. For instance, Mrs Smith, Casey Blue’s teacher, is definitely influenced by some of my favourite elderly friends.

Kat Wolfe, like Laura Marlin and Tariq or Makena in the Snow Angel isn’t inspired by anyone in real life. She just sort of arrived fully-formed in my head one day. Within a week, I felt I knew her. That said, I’m sure there’s bits of me in her.

Isabel: I often find that when I’m writing middle-grade non-fiction, such as This Book is Not Rubbish, or This Book Will (Help) Cool the Climate, I’m led and inspired by the young people I know and work with – they have as much to teach me as I do them! Do you go through a similar process when crafting your novels?

Lauren: I definitely agree about young people having as much to teach me as I do them. More so, in many cases. I am in awe of incredible Dara McAnulty, author of Diary of a Young Naturalist, and of my fellow Born Free Foundation ambassador, Bella Lack, who is writing her own book. They give me hope for the future of the natural world.

Isabel: The last year has been very tough for so many reasons. One of these for me is the worry that environmental awareness has taken backwards steps, compared with the end of 2019 when the School Climate Strike movement had given it so much momentum. We see this in big ways (e.g. the postponement of the COP26 climate conference) and a million small ways – for example plastic masks tangled in hedgerows and floating in rivers have become an everyday sight.

Lauren: You’re absolutely right about the pandemic derailing the climate change movement and I’ve been absolutely horrified at the amount of litter and plastic in the fields and woods in the beautiful area where I live. The slump in fortunes of many companies and the block on travel also means that the funding of many environmental charities has been slashed or stopped altogether.

Isabel: What would your message be to young people thinking, what next? 

Lauren: Being in lockdown has given many people the chance to appreciate nature in a way they’ve never had the chance to do before. People are taking ‘birdsong’ classes on YouTube and making bee hotels and watching otters and raptors on livestream cameras. It’s amazing. Hardly anyone is flying, which hopefully is cutting pollution too. Those things give me hope.

When The White Giraffe was published in 2006, I realised that conservation was completely missing from the curriculum of most UK schools. I approached the Born Free Foundation about working on a schools project called Animals are NOT Rubbish to get kids and teachers thinking about endangered animals. It’s been incredible to see the picture in schools change since that time.

Personally, I think that conservation and climate change should play as big a part in the curriculum as maths or English. Unless we address those things as humans, we’ll have no future. However, it’s also wonderful seeing children and schools embrace those things in a huge way. All credit to Greta Thunberg and the school strikers for standing up and demanding that grown-ups, governments and companies change their habits and thinking in order to save our world.

Isabel: You’ve previously written about becoming an ‘overnight success’ after 10 years of hard writing graft! There is this ongoing paradox in this industry that loves debuts and yet also values the work of established writers who have really honed their craft.

Lauren: You’re absolutely right; it is an ongoing paradox. I love reading debut authors and the energy around new voices and dazzlingly original ideas, but it’s important to celebrate experience too. After all, writing is one of the few professions where you should, theoretically, get better as you get older.

Isabel: What are your tips for establishing a long and successful writing career?  

Lauren: My career has had so many ups and downs and years and years of struggle that, before I wrote The White Giraffe, I spent a couple of years trying to figure out how else I might make a living. I’m so grateful to the readers who’ve supported my children’s books over the years, and feel so grateful that I’ve been able to do what I love. To anyone considering being a writer, my advice would be to write the books that are in your heart, as opposed to those that you think publishers might be buying, and put everything you have into them. Children, especially, read between the lines. They know when an author really believes in their story or feels deeply for their characters and they respond to that.

Isabel: Thank you so much Lauren! And just before you go, which books have inspired you recently? 

Lauren: I adored Gill Lewis’s A Street Dog Named Pup (out in April) and Hilary McKay’s The Swallow’s Flight (out in May). Both are beautiful, stunningly well written books. Highly recommended.

Kat Wolfe on Thin Ice is out now. Wave Riders is published by Macmillan Children’s Books on 10 June 2021.

Lauren St John grew up surrounded by horses, dogs, cats, a warthog and a pet giraffe on a farm and game reserve in Zimbabwe, the inspiration for her bestselling White Giraffe, Laura Marlin and One Dollar Horse series. Kat Wolfe on Thin Ice, her third Wolfe & Lamb mystery, will be out in January 2021. Lauren is an Ambassador for Born Free, a Patron of Mane Chance Animal Sanctuary and the founder of Authors4Oceans, a coalition of children’s authors campaigning against plastic pollution and dolphins in captivity.

Isabel Thomas is a science/nature writer and the author of several books for young readers that explore human impact on the natural world, including Moth: An Evolution Story, Fox: A Circle of Life Story, This Book is Not Rubbish and This Book Will (Help) Cool the Climate.


Published by Lauren James

Lauren James is the Carnegie-longlisted British author of many Young Adult novels, including Green Rising, The Reckless Afterlife of Harriet Stoker and The Loneliest Girl in the Universe. She is a RLF Royal Fellow, freelance editor and screenwriter. Lauren is the founder of the Climate Fiction Writers League, and on the board of the Authors & Illustrators Sustainability Working Group through the Society of Authors. Her books have sold over a hundred thousand copies worldwide and been translated into six languages. The Quiet at the End of the World was shortlisted for the YA Book Prize and STEAM Children’s Book Award. Her other novels include The Next Together series, the dyslexia-friendly novella series The Watchmaker and the Duke and serialised online novel An Unauthorised Fan Treatise. She was born in 1992, and has a Masters degree from the University of Nottingham, where she studied Chemistry and Physics. Lauren is a passionate advocate of STEM further education, and many of her books feature female scientists in prominent roles. She sold the rights to her first novel when she was 21, whilst she was still at university. Her writing has been described as ‘gripping romantic sci-fi’ by the Wall Street Journal and ‘a strange, witty, compulsively unpredictable read which blows most of its new YA-suspense brethren out of the water’ by Entertainment Weekly. Lauren lives in the West Midlands and is an Arts Council grant recipient. She has written articles for numerous publications, including the Guardian, Buzzfeed, Den of Geek, The Toast, and the Children’s Writers and Artist’s Yearbook 2022. She has taught creative writing for Coventry University, WriteMentor, and Writing West Midlands.

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