Interview with Cara Hoffman

The Ballad of Tubs Marshfield by Cara Hoffman was published this month by HarperCollins. I talk to the author of the middle grade novel about her new release, and her motivations for writing about climate change.

Tell us about your new book.

The Ballad of Tubs Marshfield is an environmental fable about frog and his doctor cousin who live in a Louisiana swamp. Their lives are happy until many of the creatures in the swamp become sick and it’s up to them to find out the source of the illness and protect their world. I couldn’t have anticipated when I started writing a second children’s novel about a singing frog, a mysterious illness and an uprising—that we would be living with a mysterious illness, with multiple uprisings throughout the country, and that our children would be confined at home, audience to the collective anxiety of the nation; to California burning; to the tears of parents who lost jobs, family, faith in better society. Children live and adapt to the terrors of the adult world.

Part of the reason I wrote The Ballad of Tubs Marshfield is because Children alive today have the biggest challenge in front of them—adapting to the climate crisis. And adults should respect the depth of their burden, support them and also give them cause for joy because joy helps assure survival. As a writer, and just as a fellow creature on this planet, the most important work I can be doing now is in aiding the people who will be left with the crisis—helping them to understand it and withstand it.

How does climate change play into the plot?

The narrative arc of the novel is about a changing landscape, extinction events and then discovering the source of the problem and working together, even with people you disagree with, to help fix that problem. Most of all I wanted kids to see that the red and blue, the binary, the black and white world that has taken over the collective imagination in our country can change. We can work with people we disagree with to make a world in which all can live. I wanted to write about resourcefulness: lemmings who can sew their own parachutes, frogs who can hop trains, and water rats who can outwit alligators. We all need a little of that resourcefulness right now in taking on the climate crisis.

What kind of research did you do when writing it?

I researched the bayou and did extensive research on frogs. Most of the research for this book was part of work I had done as an environmental reporter.

What are some of your favourite books about climate change?

Elizabeth Kolbert’s work is some of the most important on climate change. I try to avoid book on the subject that are dystopic, stick to what’s realistic. There is an amazing book for children written by the astronaut Sally Ride, Mission: Save the Planet which looks at the interdependence of ecosystems. This message is essential for kids—we’re all in it together. As Tubs says, “A creature is a creature.”

Can you remember when your journey with climate activism started?

I worked for about twelve years as an environmental reporter in the rust belt and in rural New York State. This kind of reporting is mostly covering corporate crimes; illegal dumping—and sometimes all too legal dumping by industries. I covered racist and class-based redlining that causes increased cases of cancer and other illnesses in certain neighborhoods. I covered industrial farming practices that cause ocean dead zones and soil erosion, extinction, and illness among humans. It was an education.

Why is it so important for you personally to see climate change discussed in fiction?

The climate crisis is going to affect everyone personally, whether they are directly experiencing it right now or not. Fiction as a form of art is how humans engage with experiences and emotions beyond those of their immediate circumstances, and it’s how many people come to understand the landscape of their own emotional lives, and learn about other lives and other places. As an act of communication, and a way of communing with and thinking about other beings it’s hard to improve upon.

What message do you hope readers will take away from your work? What steps would you like them to take to be more involved in climate activism?

There are lots of things kids can be doing. The most important thing is changing the way we think about the environment. taking time to be in nature if it’s possible, taking time to notice other forms of life and seeing how interconnected our environment is. The earth doesn’t belong to people, people belong to the earth. I’ve been interested in this project through the National Forest Foundation where people are planting fifty million trees. They are replanting trees everywhere in the country from Florida to Alaska. Their goal is to repopulate the forests. Trees of course help filter carbon out of the atmosphere and help clean the air. Forests help filter and supply water and provide homes for animals of all kinds. They help provide a healthy habitat for four hundred species—including humans. I’d encourage kids and their parents to google the National Forest Foundation to find out more.

You can find out more about The Ballad of Tubs Marshfield here.

Cara Hoffman

Cara Hoffman is the author of Running, a New York Times Editor’s Choice, an Esquire Magazine Best Book of 2017, and an Autostraddle Best Queer and Feminist Book of 2017. She first received national attention in 2011 with the publication of So Much Pretty which sparked a national dialogue on violence and retribution and was named Best Suspense Novel of the year by the New York Times Book Review.

Her second novel, Be Safe I Love You, was nominated for a Folio Prize, named one of the Five Best Modern War Novels by the Telegraph UK, and won a Sundance Institute Global Film Making Award.

Her essays have appeared in the New York Times, The Paris Review, Bookforum, Rolling Stone, Salon and NPR and she has been a visiting writer at Columbia, St. John’s and Oxford University. She is the recipient of a number of awards and accolades including a MacDowell Fellowship, an Edward Albee Fellowship, and a Cill Rialaig Fellowshp. She is the author of the classic children’s novel Bernard Pepperlin.

She currently lives in Manhattan and Athens, Greece with Marc Lepson and is at work on her fourth novel.

Published by Lauren James

Lauren James is the twice Carnegie-nominated British author of many Young Adult novels, including The Reckless Afterlife of Harriet Stoker, The Loneliest Girl in the Universe and The Quiet at the End of the World. She is also a Creative Writing lecturer, freelance editor, screenwriter, and the founder of the Climate Fiction Writers League. Her upcoming release is Green Rising, a climate change thriller. Her books have sold over a hundred thousand copies worldwide, been translated into five languages and shortlisted for the YA Book Prize and STEAM Children’s Book Award. Her other novels include The Next Together series, the dyslexia-friendly novella series The Watchmaker and the Duke and serialised online novel An Unauthorised Fan Treatise. She was born in 1992, and has a Masters degree from the University of Nottingham, UK, where she studied Chemistry and Physics. Lauren is a passionate advocate of STEM further education, and many of her books feature female scientists in prominent roles. She sold the rights to her first novel when she was 21, whilst she was still at university. Her writing has been described as ‘gripping romantic sci-fi’ by the Wall Street Journal and ‘a strange, witty, compulsively unpredictable read which blows most of its new YA-suspense brethren out of the water’ by Entertainment Weekly. The Last Beginning was named one of the best LGBT-inclusive works for young adults by the Independent. Lauren lives in the West Midlands and is an Arts Council grant recipient. She has written articles for numerous publications, including the Guardian, Buzzfeed, Den of Geek, The Toast, and the Children’s Writers and Artist’s Yearbook 2021. She teaches creative writing for Coventry University, WriteMentor, and Writing West Midlands, providing creative writing courses to children through the Spark Young Writers programme.

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